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Mono or stereo for voice recording
Mono or stereo for voice recording




More specifically when your sound source is hitting two microphones at slightly different times you get tracks that are out of phase and create some cancellation of the sound source, resulting in thin weak recordings. The biggest problem with stereo miking drum overheads is dealing phase issues. Via solidariat Flickr No Phase Issues With Overheads

mono or stereo for voice recording

But did you know that recording a mono drum overhead will help you get better sounding drums, faster? With so many elements to the kit, it is consistently the hardest instrument to capture with punch, power, and realism. If you’re like me, you are constantly challenged when it comes to recording great sounding acoustic drums.






Mono or stereo for voice recording